Convergence

February 26, 2013 § Leave a comment

It began with a book. Or rather, it began with a book design, recently released:

David Pearson’s cover design for Orwell’s 1984

Sweet black foiling!

Awesome, no? Perhaps it was nostalgia for an old favorite, or perhaps I needed something to temper the lightness of Room, but it was decided that 1984 should be revisited. Several pages in, it hit me: these are the same! (Okay, not the same, certainly, but they do share some similar sentiments regarding personal connection.)

To dissemble your feelings, to control your face, to do what everyone else was doing, was an instinctive reaction.

Victorian etiquette!

His mind slid away into the labyrinthine world of doublethink. To know and not to know, to be conscious of complete truthfulness while telling carefully constructed lies, to hold simultaneously two opinions which cancelled out, knowing them to be contradictory and believing in both of them, […] to forget, whatever it was necessary to forget, then to draw it back into memory again at the moment when it was needed, and then promptly to forget it again, and above all, to apply the same process to the process itself—that was the ultimate subtlety: consciously to induce unconsciousness, and then, once again, to become unconscious of the act of hypnosis you had just performed. Even to understand the word “doublethink” involved the use of doublethink.

The submergence of feeling? The hypocrisy of knowing, but deliberately not knowing? Why, it’s Lucy!

This may amount to nothing more than a curious rumination. Then again, it may influence the design of the pension… A Room With a View + 1984 + Penguin Deluxe Classics?

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